Still, SF does get some things write, even if it paints the future with broad brush strokes, as this New York Times article points out.
The writer Harry Turtledove tweeted a link to that article with an exclamatory comment: “Science fiction does not predict the future. Not. Not! [expletive] NOT! It uses the imagined future to comment on the real present.” Margaret Atwood often claims something similar, echoing Gibson’s protestations. Despite manifest evidence of her acute forecasts — the rise of the Christian right, in vitro meat, sexbots modeled on real people, apocalyptic climate change, live aquatic jewelry — she says: “I’m not a prophet. Honest, I’m not a prophet. If I were a prophet I would have cleaned up on the stock market years ago. … They’re saying things about ‘Oryx and Crake’ and ‘MaddAddam’ are all coming true. But that’s based on things people were already working on when I was writing the books. It’s just that I was looking for those things and other people weren’t.” Maybe science fiction’s future is actually just a lens on the present.I should note that SF author, Charlie Stross, has repeated described how events and technology are changing so fast that his stories are being outpaced by the real world.
I'm throwing in the towel. I probably will write another near-future Scottish police procedural by and by, but it won't be a sequel to the first two except in the loosest sense. The science fictional universe of "Halting State" and "Rule 34" is teetering on the edge of turning into reality. Meanwhile, the financial crisis of 2007 forced me back to the drawing board for "Rule 34"; the Snowden revelations have systematically trashed all my ideas for the third book.
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