This week's musical treat is piece of music that links the horrors of the Holocaust to the terrorizing of immigrant communities by ICE raids in the United States. "For Anne in the Attic" was performed in Spokane, WA earlier this month. From The Globe and Mail article (gift link) titled "Chorus of Discontent"
Dressed in church choir black, the women standing at the front of the Unity Spiritual Center in Spokane, Wash., last Sunday began to sing a new song that likens the U.S. treatment of asylum seekers to the Holocaust.
“Could they see you run for your lives as the forces of hatred pursued you, found you,” the choir sang.
“Where was their humanity?”
Midway through, the pronouns shifted − no longer “they,” but “we,” a switch from the past to the present. “Do we know? Do we know?” they sang. “Can we hear your pleas for asylum when fleeing, afraid for your lives?”
The choral arrangement, For Anne in the Attic, was written by Janice Mayfield, a local woman who penned the words after rereading The Diary of Anne Frank amid the cou--ntless headlines about U.S. immigration enforcement
I have been wondering why the current political situation hasn't generated more protest songs. There have been some, as pointed out by NPR. I blogged about Bruce Springsteen's "Streets of Minneapolis" recently, but you're more likely to the 60-year-old Stephen Stills classic, "For What It's Worth" than the Springsteen song on what passes for radio these days.
You probably won't hear "For Anne in the Attic" on the radio, but it may become a modern standard in church and choral performances. (If anyone can find the lyrics online, please let me know in the comments).

