Gardening as a Metaphor for Politics

I've been reading Geddry's Newsletter for some time now. It's a mother-daughter news column written by Mary Geddry and Shanley Hurt.

Recently they've published a couple of articles on the theme of gardening and how it relates to politics that I found especially perceptive. 

• The Hidden Allies of the Underground Republic. What mycorrhizal networks, beneficial insects, and the underground republic can teach us about resisting collapse. 
• The False Flower in the Underground Republic. A dispatch from the garden bed, on what bindweed can teach us about Trumpism, entanglement, and the danger of mistaking strangulation for strength,

From the second column:

A living system is not healthy because nothing grows wildly, it’s healthy because the wildness doesn’t all belong to one thing, and a democracy is not healthy because nobody fights, it’s healthy because no one hungry vine is allowed to wrap itself around every structure and call the suffocation unity.

So yes, the false flower is pretty, yes, it’s persistent, yes, it will be back tomorrow. But so will we.

Photo of the Week - June 28, 2026

Today's photo is of a rose in our front yard. When we bought the house, there was a rose bush full of gorgeous pink/orange roses. A severe winter about 10 years ago killed the bush, but to our surprise and pleasure, it started coming back a couple of years ago. Taken with my Pixel 8 Pro.

A rose in our front yard

Saturday Sounds - Neil Young and the Chrome Hearts - Corduroy Plants

This week's musical treat features Neil Young and the Chrome Hearts. It's a concert film from last year's tour called Corduroy Plants. 

From Live for Live Music: 

Neil Young surprised fans this week with the release of Corduroy Plants, a free one-hour concert film documenting his 2025 tour with The Chrome Hearts. The film follows last month’s release of As Time Explodes, a live album culled from the same tour and featuring all the same songs except for “After the Gold Rush” and “Looking Forward.”

If you like Neil's electric playing, you're going to love "Cortez the Killer" and "Like a Hurricane". 

 

The Philip Glass Ensemble - 2026/06/20 - A review

Nancy and I headed into a very lively Toronto last night to see the Philip Glass Ensemble at Koerner Hall. I've been a fan of Glass's music since I first heard it in the late 1970s and I've seen him and/or the Ensemble at least nine times. 

The concert highlighted Glass's works from the late 1970s and early 1980s. The first set was the entire Glassworks album and was, for me, the highlight of the evening. I much prefer the Ensemble's arrangements to the more orchestral recording. The second set was music from Satyagraha, Koyaanisqatsi, Einstein on the Beach, and Akhnaten. 

I enjoyed it much more than Nancy, who is not a fan of Glass's music. That being said, "Dance 1" from Einstein on the Beach wasn't the best choice to highlight music from that opera; I told Nancy it should have been titled "Enough Already". They did do "Spaceship" as an encore which is somewhat more succinct. .

I'm glad I had a chance to see the Ensemble again. Now if only the COC would perform Satyagraha or Akhnaten. 

Setlist:

Glassworks (1981

1. Opening 2. Floe 3. Islands 4. Rubric

5. Facades

6. Closing 

Rescue from Satyagraha (1979)

Grid from Koyaanisqatsi (1982)

Dance 1 from Einstein on the Beach  (1976)

Funeral from Akhnaten (1983)

Spaceship (Encore) from Einstein on the Beach (19776)

 

 

 

 

 

 

Photo of the Week

This is the Philip Glass Ensemble at Koerner Hall in Toronto last night. It was an excellent concert and I especially enjoyed hearing the suite of pieces from Glassworks. My view was restricted by the heads of the people in front of me so I couldn't get the two musicians on the far right of the stage in the frame. 

The Philip Glass Ensemble at Koerner Hall

Saturday Sounds - Relisten and Ratdog

Today's musical treat isn't an album or a concert but instead an app: Relisten. 

I have been a fan and a user of the Internet Archive's Live Music Archive for many years. I have downloaded gigabytes of music from the Grateful Dead, Phish, and many other bands. But trying to find a specific show or band is painful. It's not quite like trying to find a needle in a haystack, but it comes close.

Relisten solves that problem. It's a front end to the live music archive and gives you easy browsable and searchable access live music recordings from more than 4,300 artists. You can easily filter by popularity (a list of a few hundred artists), date, or venue, keep a list of favourite songs or performance, and download to your device. There are three verions: a web interface and Android and IOS apps. And it's free and open source.

Note that Relisten doesn't share information between platforms so if you have favourites in your app list, they won't show up in the web version. 

Major failing: The web interface is pretty basic and doesn't seem to offer all the features of the apps. For example, I can't switch from the Featured to All Artists views and I can't find a way to save or view favourites, and there's no searching. 

I found about Relisten from The Intelligence's Cool Tools newsletter. There doesn't seem to be an archive of back issues so I can't share the original newsletter article. If anyone knows how, please leave the info in a comment and I'll update this. 

Relisten is a great way to follow current bands that allow taping and an even better way to delve into a lot of musical history.

Since my Saturday posts usually feature some music, here's a concert from Ratdog at the Capitol Theatre in Port Chester, New York on March 2, 2014. It's a soundboard recording and features the great Steve Kimock on lead guitar. 

Spielberg's Disclosure Day Disappoints

On Sunday, Nancy and I drove over to Whitby to see Disclosure Day at the IMAX theatre. Even though we could walk up to the local Crappyplex, seeing big movies on the biggest screen available has become our preference. 

Based on the initial reviews, I was looking forward to seeing Spielberg's latest epic, but it didn't live up to my hopes. It was good, but not great. I enjoyed it, but it was overlong and muddled in the final third. On the positive side, Emily Blunt is really good and some of the action scenes were impressive, especially on the IMAX screen. Unfortunately, the big reveal at the end felt contrived and unrealistically optimistic. Overall, it was more like a long X Files episode than Close Encounters. Let's call it "Disappointment Day". 

As The Guardian reports, I'm not the only one to feel this way. 

Yet if early box office has been solid enough, secondary indices – not least a slew of disappointed foyer texts from friends and loved ones – would suggest the film has itself proved distinctly polarising. In the US, market research firm CinemaScore – which polls opening-day cinemagoers to assess a film’s commercial prospects – graded Disclosure Day a B, the joint second-worst for a Spielberg film, ahead of AI: Artificial Intelligence (recipient of a harsh C), dead level with Indiana Jones and the Kingdom of the Crystal Skull. Headmaster Haneke again shakes his weary head.