Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Saturday, September 28, 2024

Saturday Sounds - The Tragically Hip - No Dress Rehearsal

This week's musical treat is something a little different than what I usually post here.

The Tragically Hip were, by any measure, the most popular band in Canada. They started out as a bar band in Kingston, Ontario and ended up so popular that roughly a third of the country watched the broadcast of their final concert. When their lead singer, Gord Downie, died of brain cancer a year after their last concert, the nation mourned. 

They were a band that embodied the soul of Canada more than any other group. I was trying to think of a US analog and the closest I came up with was the Drive-by Truckers, who sing about Southerners the way that the Hip sang about Canadians.  As for their popularity in Canada, the closest American equivalent is Bruce Springsteen, but their audience in Canada was deeper and broader. 

The Tragically Hip: No Dress Rehearsal is a four-part documentary. I can recommend it unreservedly. If you don't know their music, you are missing out on something very special.  And if you're a Hip gan, you'll enjoy it immensely. 

It's showing on Amazon Prime.  This is the trailer.


Monday, December 19, 2022

Featured Links - December 19, 2022

Links to things I found interesting but didn't want to do a full blog post about. 

Swans on Frenchman's Bay


Thursday, January 21, 2021

Scientific Computing's Greatest Hits

When I studied physics in university, computers were huge beasts in glassed-in rooms that ate boxes of our punch cards and spit out reams of printouts full of error messages generated by our attempts to program in Fortran. Most often, our personal tool of choice was a slide rule.

That all changed with the advent of supercomputers, the internet, and powerful personal computers. Scientists were among the first to embrace the new reality and use computers to analyse data in ways that were impossible just a few decades ago. 

Nature has surveyed researchers to determine what are the ten software tools that had the most impact on scientific research. It's a wide-ranging list that contains sine software that will likely be unfamiliar unless you're a scientist or mathematician. It does reveal just how important software and computing have become in science during the last few decades. 

In 2019, the Event Horizon Telescope team gave the world the first glimpse of what a black hole actually looks like. But the image of a glowing, ring-shaped object that the group unveiled wasn’t a conventional photograph. It was computed — a mathematical transformation of data captured by radio telescopes in the United States, Mexico, Chile, Spain and the South Pole1. The team released the programming code it used to accomplish that feat alongside the articles that documented its findings, so the scientific community could see — and build on — what it had done.

It’s an increasingly common pattern. From astronomy to zoology, behind every great scientific finding of the modern age, there is a computer. Michael Levitt, a computational biologist at Stanford University in California who won a share of the 2013 Nobel Prize in Chemistry for his work on computational strategies for modelling chemical structure, notes that today’s laptops have about 10,000 times the memory and clock speed that his lab-built computer had in 1967, when he began his prizewinning work. “We really do have quite phenomenal amounts of computing at our hands today,” he says. “Trouble is, it still requires thinking.”

Enter the scientist-coder. A powerful computer is useless without software capable of tackling research questions — and researchers who know how to write it and use it. “Research is now fundamentally connected to software,” says Neil Chue Hong, director of the Software Sustainability Institute, headquartered in Edinburgh, UK, an organization dedicated to improving the development and use of software in science. “It permeates every aspect of the conduct of research.”

Scientific discoveries rightly get top billing in the media. But Nature this week looks behind the scenes, at the key pieces of code that have transformed research over the past few decades.

Thursday, July 23, 2020

William Gibson's Agency and the Apocalypse

I finally finished reading William Gibson's new novel, Agency, last week. In preparation for that, I re-read his previous novel, The Peripheral, which is a prequel to Agency

I had thought about doing a full review of Agency, but I don't have the time or inclination right now. Suffice it to say that of the two books, I think The Peripheral is superior; in fact, I think it's the best science fiction novel of the last decade. It's not that Agency is a bad book, but it didn't hold my attention the way The Peripheral did. When I was reading The Peripheral, I found myself highlighting passage after passage that struck me, and that didn't happen as much in Agency. And the ending felt rushed and a bit contrived. I'm glad I read it, but I doubt that I'll go back to it. 

The Quietus has published a long interview with Gibson that focuses on one of the key aspects of these novels – the slow motion apocalypse that Gibson calls the Jackpot. 
“There’s never been a culture that had a mythos of apocalypse in which the apocalypse was a multi-causal, longterm event.” William Gibson speaks in the whisper-soft drawl of a man who for a long time now has never had to speak up in order to be heard. Though a certain edge had crept into our conversation by this point, watching him stretch out on the leather chaise longue of this hotel library (“my second home,” he calls it, as we make our way up from the lobby), it struck me that few people are able to seem at once so apprehensive and yet so intensely relaxed about the prospect of the end of the world as we know it.

“But if we are in fact facing an apocalypse,” he continues, getting now into the swing of this particular riff, “that’s the sort we’re facing. And I think that that may be what makes it so difficult for us to get our heads around what’s happening to us.”

When I met Gibson back in early February, the slow-cooked nightmare of the coronavirus was still very much in its infancy here in Europe. The word ‘pandemic’ had not yet been uttered by the World Health Organisation and nor did it come up in our conversation. But it does appear in Gibson’s (2014) novel, The Peripheal, the first part of a trilogy split between two timelines: one taking place before and one somewhat after an event known as the ‘jackpot’. “No comets crashing, nothing you could really call a nuclear war,” future Londoner Wilf Netherton explains of this ‘jackpot’. “Just everything else, tangled in the changing climate: droughts, water shortages, crop failures, honeybees gone like they almost were now, collapse of other keystone species, every last alpha predator gone, antibiotics doing even less that they already did, diseases that were never quite the one big pandemic but big enough to be historic events in themselves.”
Even if you don't read The Peripheral or Agency, I recommend reading this article. Gibson has hit a nerve with his concept of the Jackpot. It hasn't quite hit meme status, yet, but it is now a term that's become part of our culture. 

Friday, July 17, 2020

TV and Movie Reviews - July 2020 - Part 1

I was intending to start doing these reviews monthly, but this one has gotten long enough that I'm going to run it now. They're more for my benefit, so I can have a list of what I've been watching for future reference. But if you enjoy them, great. Comments are welcome, as always.

Movies

  • Porco Roso: Early Miyazaki. Not one of his best, but still enjoyable. The flying sequences are especially well done. (Neflix)
  • The Old Guard: An unusually good action flick about a group of immortals trying to do good, while fighting off unscrupulous agents of big pharma who want to monetize their genes. But their own angst may be their worst enemy. Based on a graphic novel, which is also very good. (Netflix)
  • The Color Out of Space: Movie based (very loosely) on the classic story by H. P. Lovecraft. It's fairly good, especially if you like Nick Cage doing the crazy thing he seems to have trademarked. (Netflix)
  • Only: After a comet releases a deadly dust, women start dying. The idea goes back at least as far as Frank Herbert's The White Plague. I found it quite disjointed, especially in the second half. It's also very grim (to be expected, given the idea), but there's not a lot else there to redeem it. (Netflix)

TV Shows

  • Archangel: A British-made mini-series, set in Moscow, featuring the pre-Bond Daniel Craig. It's a fairly standard thriller but good enough that we watched all three parts in one evening. Gets bonus points for the Russian locations. (Amazon Prime)
  • Perry Mason (2020): Tells the origin story of the famous detective. A lot of money obviously went into recreating 1930s Los Angeles. Given that it's being released weekly, I've only seen four of the episodes so far but I am liking it a lot. (HBO)
  • The Tunnel: A complex, well-acted British/French co-production that starts with a body being discovered in the service tunnel of the Channel Tunnel. I'm only part way through the first season, but will keep going. (CBC Gem)
  • Warrior Nun: Being a lapsed Catholic and having had a nun fixation since childfood, I had high hopes for this. Unfortunately, it it was only sporadically enjoyable and squandered a lot of potential. I also had trouble watching it because many of the scenes were very dark and I had trouble following what was going on. (Netflix)

Thursday, September 26, 2019

Pocket Casts Has Been Updated

The other day I noticed that the Pocket Casts app on my phone had some new features; it had been updated in the background without me noticing. As it turns out, the feature update is part of a major revamp of the application.

For one thing, the mobile app (IOS or Android) is now free; it used to be $3.99. The desktop player is now $1.00 a month or $10 per year. If you paid for the desktop player in the past, it will be free.

New features include the ability to select multiple instances of a podcast at once and mark them as played, download them, or archive them. This is handy and a much needed feature if, like me, you subscribe to a lot of podcasts but there are some you listen to only occasionally.

I did have one problem after the upgrade. The app kept stopping on me. After some googling, I found a topic on their support site that described this problem and provided a solution (I had to fiddle with the battery management settings on my phone).

I've been using Pocket Casts now for about three years and it's earned a spot on my phone's home screen. There are many other podcast apps out there, but I can't think of anything that they could offer that would cause me to switch to something else.


Thursday, February 07, 2019

Two New and Worthwhile Chrome Extensions

I've come across a couple of Google Chrome extensions that are worth a look.

The first is an extension for the desktop version of Chrome called Password Checkup. When you visit a site to which you have to log in, it scans your login credentials against a database of (several billion) credentials known to have been compromised. If they have been, you get a warning and an opportunity to change them before logging into the site. See this Mobile Syrup article for more details.

Password Checkup is a Google product, and I'm surprised it's not built right into Chrome instead of being offered as an optional extension. (That might also make it usable in the Android version of Chrome, which AFAIK doesn't support extensions). Offhand, I can't see any reason not to use this.

The second is NewsGuard, which performs a similar function for news sites and links to news articles.
As you browse the news, you’ll see the NewsGuard icon next to news links on search engines and social media feeds, such as Google, Bing, Facebook and Twitter. Green rated sites follow basic standards of accuracy and accountability. Red rated sites do not. Blue rated sites refer to platforms, orange rated sites indicate satire sites, and gray rated sites are those we are in the process of rating and reviewing.
Obviously, you have to have some trust in the people who are doing the rating. You can easily see how a site rates by clicking on the NewsGuard icon. For example, the Daily Mail site gets an 'X' on three of the nine criteria, while the Washington Posts gets an OK check mark for all nine. InfoWars gets a red icon because it fails all five of the credibility criteria. If a site isn't rated, the icon is grey and you have the option of submitting it for review.

I like NewsGuard a lot, especially because its rating icon shows up in news articles posted to Facebook, which is notorious for spreading fake news and disinformaton.


Monday, December 10, 2018

The Year's Best Science Fiction, Thirty-Third Annual Collection

The Year's Best Science Fiction is a long-running series of anthologies that were edited by the late Gardner Dozois and were generally considered as the gold standard in "best of" anthologies. I've been reading them for many years and just finished the 33rd collection, which includes stories published in 2015. (Yes, I know I'm behind; maybe now that I am retired, I'll be able to catch up).

As with all anthologies, there were some stories that I didn't enjoy. Generally, if a story didn't grab me I didn't finish reading it. But there weren't that many. Dozois had good taste, and his tastes were pretty close to mine.

These were the stories that thought were the best of the 36 in this book:
  • "Ruins" by Eleanor Arnason: One of several stories here from the Old Venus anthology, set on the tropical Venus of the old pulp magazines. 
  • "Meshed" by Rich Larson: A look at the high-tech future of sports and what it might mean for the athletes.
  • "Gypsy" by Carter Scholz: An interesting take on interstellar travel.
  • "The Astrakhan, the Homburg, and the Red Coat" by Chaz Brenchly
  • "Calved" by Sam J. Miller: 
  • "Botanica Veneris: Thirteen Papercuts by Ida Countess Rathagan" by Ian McDonald: Another Old Venus story and my favourite of the whole anthology. I didn't want it to end. 
  • "Consolation" by John Kessel: A near future story where Canada takes over some of the U.S. 
  • "City of Ash" by Paolo Bacigalupi: A grim tale of climate disaster in Phoenix.
  • "Trapping the Pleistocene" by James Sarafin: Hunting giant beavers in the past. 
  • "Inhuman Garbage" by Kristine Kathryn Rusch: A taut police procedural set on the Moon. 
  • "Hello, Hello: Can You Hear Me, Hello" by Seanan McGuire: AI and communication with a non-human species. 
As always, your mileage may vary.