Monday, June 22, 2026

The Philip Glass Ensemble - 2026/06/20 - A review

Nancy and I headed into a very lively Toronto last night to see the Philip Glass Ensemble at Koerner Hall. I've been a fan of Glass's music since I first heard it in the late 1970s and I've seen him and/or the Ensemble at least nine times. 

The concert highlighted Glass's works from the late 1970s and early 1980s. The first set was the entire Glassworks album and was, for me, the highlight of the evening. I much prefer the Ensemble's arrangements to the more orchestral recording. The second set was music from Satyagraha, Koyaanisqatsi, Einstein on the Beach, and Akhnaten. 

I enjoyed it much more than Nancy, who is not a fan of Glass's music. That being said, "Dance 1" from Einstein on the Beach wasn't the best choice to highlight music from that opera; I told Nancy it should have been titled "Enough Already". They did do "Spaceship" as an encore which is somewhat more succinct. .

I'm glad I had a chance to see the Ensemble again. Now if only the COC would perform Satyagraha or Akhnaten. 

Setlist:

Glassworks (1981
1. Opening 2. Floe 3. Islands 4. Rubric
5. Facades
6. Closing 

Rescue from Satyagraha (1979)
Grid from Koyaanisqatsi (1982)
Dance 1 from Einstein on the Beach  (1976)
Funeral from Akhnaten (1983)
Spaceship (Encore) from Einstein on the Beach (19776)

 

 

 

 
 
 



Sunday, June 21, 2026

Photo of the Week

This is the Philip Glass Ensemble at Koerner Hall in Toronto last night. It was an excellent concert and I especially enjoyed hearing the suite of pieces from Glassworks. My view was restricted by the heads of the people in front of me so I couldn't get the two musicians on the far right of the stage in the frame. 

The Philip Glass Ensemble at Koerner Hall




Saturday, June 20, 2026

Saturday Sounds - Relisten and Ratdog

Today's musical treat isn't an album or a concert but instead an app: Relisten

I have been a fan and a user of the Internet Archive's Live Music Archive for many years. I have downloaded gigabytes of music from the Grateful Dead, Phish, and many other bands. But trying to find a specific show or band is painful. It's not quite like trying to find a needle in a haystack, but it comes close.

Relisten solves that problem. It's a front end to the live music archive and gives you easy browsable and searchable access live music recordings from more than 4,300 artists. You can easily filter by popularity (a list of a few hundred artists), date, or venue, keep a list of favourite songs or performance, and download to your device. There are three verions: a web interface and Android and IOS apps. And it's free and open source.

Note that Relisten doesn't share information between platforms so if you have favourites in your app list, they won't show up in the web version. 

Major failing: The web interface is pretty basic and doesn't seem to offer all the features of the apps. For example, I can't switch from the Featured to All Artists views and I can't find a way to save or view favourites, and there's no searching. 

I found about Relisten from The Intelligence's Cool Tools newsletter. There doesn't seem to be an archive of back issues so I can't share the original newsletter article. If anyone knows how, please leave the info in a comment and I'll update this. 

Relisten is a great way to follow current bands that allow taping and an even better way to delve into a lot of musical history.

Since my Saturday posts usually feature some music, here's a concert from Ratdog at the Capitol Theatre in Port Chester, New York on March 2, 2014. It's a soundboard recording and features the great Steve Kimock on lead guitar. 

Wednesday, June 17, 2026

Spielberg's Disclosure Day Disappoints

On Sunday, Nancy and I drove over to Whitby to see Disclosure Day at the IMAX theatre. Even though we could walk up to the local Crappyplex, seeing big movies on the biggest screen available has become our preference. 

Based on the initial reviews, I was looking forward to seeing Spielberg's latest epic, but it didn't live up to my hopes. It was good, but not great. I enjoyed it, but it was overlong and muddled in the final third. On the positive side, Emily Blunt is really good and some of the action scenes were impressive, especially on the IMAX screen. Unfortunately, the big reveal at the end felt contrived and unrealistically optimistic. Overall, it was more like a long X Files episode than Close Encounters. Let's call it "Disappointment Day". 

As The Guardian reports, I'm not the only one to feel this way. 

Yet if early box office has been solid enough, secondary indices – not least a slew of disappointed foyer texts from friends and loved ones – would suggest the film has itself proved distinctly polarising. In the US, market research firm CinemaScore – which polls opening-day cinemagoers to assess a film’s commercial prospects – graded Disclosure Day a B, the joint second-worst for a Spielberg film, ahead of AI: Artificial Intelligence (recipient of a harsh C), dead level with Indiana Jones and the Kingdom of the Crystal Skull. Headmaster Haneke again shakes his weary head.

Saturday, June 13, 2026

Saturday Sounds - Pharoah Sanders Live

Since I've been featuring jazz saxophonists here recently, I thought it was time to post some performances from the great Pharoah Sanders. I first heard his music when I was in university and his "The Creator Has a Master Plan" has been the soundtrack to much of my life. I was fortunate to have seen him play four times and wish there had been more. 

These are a few of the many videos of his live performances on YouTube.  Four are good quality, pro-shot videos. The Grace Cathedral performance is an audience audio recording but I've included it because of the way Pharoah plays off of the cathedral's acoustics. It's a beautiful and  spiritual performance. Enjoy. 

Pharoah Sanders/John Hicks Live in Frankfurt 1986


Pharoah Sanders Quartet with Tony Hewitt, Live at Dizzy's, 2015/01/31 

Pharoah Sanders - 1995/11/17 - Late Show

Pharoah Sanders & William Henderson - 2006-04-21, Grace Cathedral, San Francisco, CA


Pharoah Sanders - Iowa City Jazz Festival - 2013/07/07

Tuesday, June 09, 2026

I Finally Ditched Adobe Photoshop and Lightroom

I've been a user of Adobe Photoshop and Lightroom for more than 15 years when I bought my first DSLR, a Nikon D5200. I've since moved on to a Fujifilm X-S10 and a Pixel 8 Pro phone. When I started using Adobe's products the monthly subscription to Photoshop/Lightroom was a reasonable $10/moth. Eventually they raised it to around $15 and then last year to $25 (in Canadian dollar). 

That's a lot of money for a tool that I use only rarely. I have been shooting both RAW and JPEG on my Fujifim X-S10, (Fujifilm names them as RAF files) so using Adobe Camera RAW or Lightroom made sense. But Fujifilm's JPEGs are good enough that most editing can be done using JPEGs in free and simpler tools. 

I was also finding it harder to use Adobe's products. My vision has deteriorated over the last few years and I now find using Photoshop or Lightroom difficult because icons are too small and text and interface text lacks contrast. 

Last month I finally gave up after getting a renewal notice from Adobe. If I kept the subscription, I'd have to wait another year to cancel it or pay a substantial cancellation fee. So I cancelled my subscription. 

By that point, I had identified several free alternatives to Adobe's software.. Here I'm going to briefly describe several tools that I looked at. 

Adobe Express Photos (formerly Photoshop Express)

Adobe Express Photos offers a good selection of basic editing tools and limited AI functions including object removal. RAW files can be edited but have to be saved in another format, and there's no support for Fujifilm's film simulations. There is a mobile version. It's probably what I will use most for simple edits. 
Adobe Photos Express

Canva Affinity

Affinity has a similar interface to Photoshop and contains all of the tools I'm likely to need and more. However I find the interface difficult to use because of the small interface text and icons, although it's a bit better than Photoshop.  It can open and modify RAW files but the image has to be saved in a different format. I'm still going to play around with it, but it won't be my first choice of tools. 
Canva Affinity

Capture One Fujifilm RAW Converter

This is a free tool offered by Capture One to convert Fujifilm's RAF files to other formats. It offers a basic subset of the features in the full Capture One and support Fujifilm's film simulations. Unfortunately, the interface was unusable due to small text and icons. Finding no way to customize the interface for my needs, I uninstalled it. 

Fujifilm X RAW Studio

Fujifilm X RAW Studio is a bit of an odd duck as it uses your Fujifilm camera for processing RAW files with the camera connected to your computer by a USB cable. Processing is limited to whatever functions are built into the camera. The advantage of this approach is that it allows you to use film recipes (modified film simulations). For my purposes, it's easier to use Silkypix's converter. 

Microsoft Photos

Microsoft Photos is the built-in photo editor for Windows 11, offering the usual selection of basic editing tools, with a few extras like background selection and generative erase. There's a good selection of filters which also include a handy slider for controlling intensity. I find the icon-based interface awkward to use, given my vision. Still, it includes enough functionality that it may be all that many people may need. As for RAW files, you can open and edit them, but changes have to be saved in another format. 
Microsoft Photos

Pixlr Express

Pixlr Express is a web-based tool with free and paid subscription versions. Pixlr Express is a basic editor similar to Adobe Express Photos but with more features including some AI tools with 20 AI credits/month. (Subscription plans offer more AI credits). It won't open RAW files. 
Pixlr Express

Pixlr Editor

Pixlr Editor is a more advanced web-based tool with free and paid subscription versions. The interface uses a side panel and menus with a level of features comparable to Affinity or Photoshop. Given that it's web-based, I find easier to use. As with Pixlr Express, the free version includes 20 AI credits/month with subscription plans  offering more credits so you can use the advanced AI functions. It won't open RAW files. This will likely be my choice for more advanced editing of JPEGs. 
Pixlr Editpr

Silkypix RAW File Converter EX

Siklypix RAW File Converter EX is provided free to Fujifilm camera users. It's similar in features and functionality to Adobe Camera RAW. There's a full range of editing tools available and because it's made for Fujifilm cameras, you can access film simulations and modify camera settings. Changes to RAW files are saved in a separ .spd file. Skins are available for different monitor resolutions and I was able to find one that I could use. This will probably be my first choice for working directly with RAW files, although it's probably overkill for what I usually need to do.
Silkypix RAW File Converter EX

Summary

So to summarize:
  • For simple editing of JPGs, Adobe Express Photos or Pixlr Express.
  • For advanced editing of JPGs, Pixlr Editor or Affinity
  • For direct editing or conversion of RAW/RAF files, Silkypix RAW File Converter EX
I may do more detailed write-ups on the programs mentioned above after I've had more time to use them.


Monday, June 08, 2026

61st (2025) Nebula Award Winners

SFWA (Science Fiction & Fantasy Writers Association) has announced the winners of the 61st Nebula Awards for works published in 2025. 

These are the novel and short fiction awards,
  • Best Novel: The Buffalo Hunter Hunter, by Stephen Graham Jones 
  • Best Novella: The River Has Roots, by Amal El-Mohtar 
  • Best Novelette: “Uncertain Sons”, by Thomas Ha 
  • Best Short Story: “Laser Eyes Ain’t Everything”,


Sunday, June 07, 2026

Photo of the Week -- June 7, 2026

The photo this week is one I took a couple of years ago with my Fujifilm X-S10. I used Silkpix RAW File Converter to switch the film simulation from Velvia to Acros + G Filter, boost the contrast, and crop. I thought this one worked better in black and white than the original colour exposure. 

Fujifilm X-S10 with Fujinon 27mm/F2.8 WR at F8, 1/450 second, ISO 320, Acros + R Filter film simulation

Tree roots in black and white
Tree roots in black and white

For contrast, this is the JPG of the original image, straight out of the camera. Which do you think is better?

Tree roots in colour



Saturday, June 06, 2026

Saturday Sounds -- Sonny Rollins

Sadly, the great jazz saxophonist, Sonny Rollins, died recently. I never got to see him perform but have listened to and enjoyed many of his albums. For this week's musical treat, here are three concert videos of his performances, starting with a BBC recoding of a 1974 gig at Ronnie Scott's famous London club. 


Next up, the Sonny Rollins Quintet Live at Jazz Festival Bern, Kursaal, Bern, Switzerland - 1985.


Finally, here's the Sonny Rollins Sextet live in Munich in 1992.


Friday, June 05, 2026

A Deep Dive Into Alberta Separatism

The possibility of Alberta separating from Canada and becoming an independent state has suddenly become a major news item in Canada. I've posted about this quite frequently in the last year, including links to several articles discussing US interference in our politics. 

Now there will be a referendum in Alberta in October with one of the questions being: ""Should Alberta remain a province of Canada, or should the Government of Alberta commence the legal process required under the Canadian Constitution to hold a binding provincial referendum on whether or not Alberta should separate from Canada?"

Distrust of the federal government and resentment about Alberta's place in the Canadian federation has long been a part of politics in Alberta. I lived in Grande Prairie for five years in the early 1980s and it was certainly evident then but there was no serious discussion of separating on the part of the Alberta government. That has changed with the rise of the UCP and Premier Danielle Smith. 

The best article about the subject that I have seen so far is Alberta: the jilted lover of Confederation, by Jared Wesley, who is a professor of political science at the University of Alberta. The article is the text of a speech that he delivered to the Rideau Club Roundtable in Ottawa, on June 3, 2026.

The talk is divided into these sections:

  • So, where are we?
  • So, how did we get here?
  • So, what can we do?
  • What can the rest of Canada do?
In conclusion, he says:

The overall message should be simple: Alberta is not a problem to be managed. Alberta is not a spoiled child to be disciplined or dismissed. Alberta is not an alien province to be decoded from afar. Alberta is a respected, heard, and valued partner in Confederation.
That is the message Canadians need to send. And it is the message Albertans need to hear from one another. Because the choice before Alberta this fall is not simply whether to remain in Canada. It is whether we can imagine a version of Alberta big enough to include all of us. And whether Canada can imagine a version of itself that has room for Alberta not at the margins, not alone at the centre, but in a leadership role in creating a better country.

 It is a long article but you won't find a better analysis of the current situation in any of the major news outlets.


Wednesday, June 03, 2026

More Scams to Watch Out For

The internet is a dangerous place these days and there's always one more new thing to watch out for. Right now, it's fake  CAPTCHAs

A real CAPTCHA (which stands for “Completely Automated Public Turing test to tell Computers and Humans Apart,” by the way — just rolls off the tongue, doesn’t it?) runs in your browser. It might ask you to click a box, identify images, or wait for a quick verification. What it shouldn’t do is ask you to send a text message, open your phone’s SMS app, tell you to press a strange combination of keys, or ask you to copy and paste anything into your computer.

Take a couple of minutes to read the article. It may save you a lot of grief later.  

Tuesday, June 02, 2026

2026 Locus Awards Winners

 The winners of the 2026 Locus Awards have been announced. The awards are voted on by subscribers and readers of Locus, the long-running newsmagazine of the science fiction and fantasy field. 

  • SCIENCE FICTION NOVEL:  Death of the Author, Nnedi Okorafor 
  • FANTASY NOVEL: The Everlasting, Alix E. Harrow 
  • NOVELLA: The River Has Roots, Amal El-Mohtar
  • NOVELETTE: “We Begin Where Infinity Ends“, Somto Ihezue 
  • SHORT STORY: “In My Country“, Thomas Ha

  • The full list, including nominees, are listed on the Locus site.

    Monday, June 01, 2026

    Movie and TV Reviews - May 2026

    Short reviews of movies and TV shows I watched in May. Now that we're watching the Blue Jays, there won't be as much here.

    Movies

    • Greenland 2: Migration. I saw a review that suggested that this was better than the first movie. It wasn't. 
    • Tom Clancy's Jack Ryan: Ghost War. Yet another Jack Ryan thriller. Lots of action and not a lot of plausibility, as usual. This one was OK until about halfway through, then started to run off the rails. I did enjoy the parts that were set in Dubai.  (Amazon Prime)
    • The Mandalorian and Grogu. See my review from last week. (IMAX)

    TV Shows

    • Monarch: Legacy of Monsters (season 2). Lots of big monster battles in the middle of a muddled plot with too many jumps in time. The final episode ended with a setup for the next season, but I don't really care.(Apple TV)
    • Dept. Q: This is a police procedural billed as "tartan noir" and it is indeed gloomy and you'll probably want closed captioning on. Unfortunately the plot stretches my "willing suspension of disbelief" past the breaking point and the characters are mostly standard tropes. (Netflix)
    • A Taste for Murder: A grieving British detective travels to Italy to restore the relationship with his daughter and gets involved in all sorts of crimes. The best parts are the setting (Naples and Croatia, subbing for Capri) and Patricia Logan, of Downton Abbey fame. (BritBox)
    • Good Omens (season 3): A one episode, 97-minute season, largely because Neil Gaiman wasn't involved. And it shows. You can probably skip this one. 
    • Law and Order: Criminal Intent: Toronto (season 3). It's very formulaic. We like it for the Toronto settings and the stories that are sometimes taken from local news. (City TV)

    Sunday, May 31, 2026

    Photo of the Week - May 31, 2026

    I took this photo earlier this week when Nancy and I travelled in to Toronto for a fancy supper to celebrate our anniversary. This is Yonge Street, about a block north of Dundas, showing what's left of what was once known as the Yonge Street strip, partly because of its many strip clubs. The large building on the right is part of Toronto Metropolitan University (TMU), formerly Ryerson Polytechnic. It stands on the former site of SAM The Record Man and A and A's, two great record stores that are long gone. The Zanzibar Tavern, one of Toronto's few remaining strip club, still stands. 

    Taken with my Pixel 8 Pro and cropped and straightened in Google Photos. 

    A few of the old buildings, including the Zanzibar tavern, that are left of the Yonge Street strip
    What's left of the Yonge Street strip



    Saturday, May 30, 2026

    Saturday Sounds - New Riders of the Purple Sage - Powerglide

    I first discovered the New Riders of The Purple Sage through their association with the Grateful Dead, who they opened for when I saw the Dead in 1970 and 1971. I enjoyed their music; I guess you could say they were my gateway to country and western.

    From a post by Peter Christiansen in the Grateful Dead group on Facebook

    "Powerglide".  Second album by the New Riders of the Purple Sage.  Wonderful followup to that most excellent first album.  Buddy Cage replaces Jerry Garcia on pedal steel.  A number of guest appearances including Jerry Garcia (banjo) and Bill Kreutzmann (percussion) from the Grateful Dead, and noted session player Nicky Hopkins (piano).  Another fun, sing along, toe tapping collection of songs. Covers "Hello Mary Lou",  "Willie and the Hand Jive",  "I Don't Need No Doctor" "Dim Lights, Thick Smoke (And Loud, Loud Music)" take on the energy of the band while original writing on the others contributes significantly.  Another important part of my high school days.

    Of their albums, Powerglide was my favourite. It still holds up well after more than fifty years.


    Friday, May 29, 2026

    Avoiding a Lockout of Your Google Account

    If you had to pick an account that getting locked out of would cause the most headaches, your Google account would probably be up near the top of the list. That is assuming that you have a Windows PC and use Google Chrome, or an Android phone. Mac users may be able to skip this article.

    Google, rightly. doesn't make it simple to get back into a locked out account. But they do provide more than one way of restoring your account access, including a new one mentioned in this article.
    We'll start with the newest feature for account recovery, which is Recovery Contacts. This is a list of up to 10 people you specify, and when you're trying to get back into your Google account, they can be asked to confirm access in the same way that you might normally approve a prompt on your own phone (which is helpful if your phone is lost, for example).

    I have a friend whose phone was stolen while travelling. He was not able to recover his account and lost access to many valuable photos and a YouTube account he used to promote his business. If he'd followed some of the steps in this article, that wouldn't have happened. 

    It may take some time and be a bit of a hassle to get your account set up so you can recover it, but it's worth it. 

     

    Thursday, May 28, 2026

    Review: The Mandalorian and Grogu

    Nancy and I went to see The Mandalorian and Grogu last night at the IMAX theatre in Whitby. I didn't enjoy it. There was enough plot to fill out an average episode of the TV show, padded into a 2-hour-plus movie with a lot of pointless action scenes. No character development at all. The Mandalorian might as well have been a 2nd-tier Marvel superhero. Even in the IMAX format, much of the movie was dark and hard to follow. 

    Wait for it to show up on Disney+ if you want to see it. (That may be a general reaction; the theatre was maybe 10 percent full). 

    Monday, May 25, 2026

    Modern Movies: The Dark Ages

    I've been having a lot of trouble watching movies, and some TV shows, these days. Part of that is due to my eyes lacking enough rods to give me proper vision in dim light, but that's only part. I've talked about this with my family and friends and they agree that a lot of what their watching is darker than it used to be. 

    The New York Times has a feature article (gift link) about this. It starts with a reference to the recent movie, The Devil Wears Prada 2. 

    “The heartbreaking story of a woman who can no longer afford lamps in her office,” read one viral post, showing Meryl Streep’s Miranda Priestly of yore alongside a screenshot from the new dimly-lit trailer. “So did we just forget how to light movies?” asked another, above bright images from the 2006 film beside shadowy, shrouded shots from the sequel. Noting that the sequel employs the same director and cinematographer as the original, one poster lamented “that isn’t a skill issue it’s a choice. So why DO new movies insist on looking like that. Absolutely lifeless.”

    That's someting I noticed when I saw Project Hail Mary recently; it was dim, even in the IMAX format. But there are other things going on. 

    The article goes on to reference a YouTube video titled 'Why Movies Just Don't Feel 'Real' Any More" by Tom van der Linden. It's a bit on the nerdy side but I highly recommended. He talks about the various factors influencing the look of modern movies and makes some very incisive points, including the lack of depth-of-field in many shots. 

     

    From the Times: 

    For van der Linden, the blurry-background conundrum is exacerbated by “fake-looking C.G.I. elements.” He pointed to 2025’s “Jurassic World Rebirth”: Compared to the technically-jankier but actually-superior “Jurassic Park” (1993), the latest installment’s backgrounds are constantly out of focus. The environments — even in scenes shot on location — are rendered “faker” through digital visual effects that undermine the world-building. “Subconsciously, I’m not registering that landscape as a real place, and that detracts from the reality of the movie as a whole,” he said.

    I've watched the video and found it quite illuminating (pun intended). It's definitely worth half and hour of your time, though it may make you a lot more ciritical about what you're seeing on screen.  

     

     

    Phish Have Transformed The Sphere

    Phish were one of the first bands to play Las Vegas' futuristic venu, The Sphere. Given the band's penchant for theatrical extravaganzas as seen at their New Years concerts, fans expected quite a bit fromt he band's performances there and they weren't disappointed. But with their latest residency there in Apri, they've taken the visual elements offered by The Sphere's technology to a new level, as described in this article from GQ (archive link). 

    Most bands have used The Sphere's immense screen to display various images and computerized animations. Phish have done something different and new; they've created a virtual version of their touring lighting rig and expanded it many times over to fill the screen, then added effects that aren't possible with a physical rig. The results are stunning. 
    It was late April, the fourth night of a nine-show run at Sphere in Las Vegas, and the band had just begun its second set. As they slid from a thin boogie into an atonal blur, the screen that swallowed them took the sold-audience of about 17,000 on a grisly animated tour of a damaged body—teeth pocked with fillings, a tummy laden with plastic toys, lungs puffing hard. As the camera wormed its way up and out of the body and back to the mouth, a wrecking ball swung toward the teeth, smashing them with three terrifying hits. The image faded. The room went dark. The band kept playing. The crowd erupted.
    The screen needed to go black because a fleet of video teams with a squadron of computers and servers at their command needed time to load a system that has forever reinvented the way Sphere can work: a physics-defying virtual model of Phish’s famous light rig, programmed and run by a pair of technicians so legendary in lighting and jam circles that they have been profiled by The New York Times. The system, the most expensive visual element of Phish’s two Sphere residences, allows Chris Kuroda and Andrew Giffin to control 7,080 individual sources of light, all designed to look like they’re part of physical light fixtures flying above the band. Because it is not mechanical, it can move in directions and with a nimbleness that traditional lighting rigs could never match. It can charge the audience like a bull or pull back into a bright vanishing point.
    WATCH

    I've included some videos of their performance that show off the new capabilities. The first includes the songs mentioned in the above quote.

      

    And here's one more that gives a sense of the scale of the venue.


    Finally, here's a review of one of the concerts from the April residency. The author isn't a Phish fan but he was impressed by the visuals and has some advice about the best seating locations if you are planning to attend a concert at The Sphere. 



    Sunday, May 24, 2026

    Photo of the Week

     This week's photo is from one of the few warm days we've had in the last couple of weeks. It was warm enough to go for an evening walk down to the lakefront; an activity that we gladly shared with many other people who crowded the waterfront area. This picture is from my Pixel 8 Pro and was slightly cropped and touched up in Google Photos. 

    A view of the marina with the sun on the left, boats in the middle and the waterfront restaurant on the right
    Sunset at the marina

    Saturday, May 23, 2026

    Saturday Sounds - Rahsaan Roland Kirk - Bright Moments and More

    More and more, I'm finding that jazz is the music that gives me the most comfort and enjoyment right now. This week's musical treat is a from an artist that I've not listened to much, Rahsaan Roland Kirk. I've known about him since I started listening to jazz and I knew he was a multi-instrumentalist (sax and flute, mostly) but for some reason never paid much attentin to his music.

    One night recently, I was listening to the jazz channel on Sirius XM, as I often do at bedtime, and was blown away by what I was hearing. It was "You'll Never Get to Heaven" from Kirk's live album, Bright Moments. From Wikipedia

    Rahsaan Roland Kirk (born Ronald Theodore Kirk; August 7, 1935[1] – December 5, 1977),[2] known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality; in his shows, virtuoso improvisation was accompanied by comic banter, political ranting, and the simultaneous playing of several instruments.

    Bright Moments seems to be a good representation of Kirk's music. It was recorded in 1973, just a couple of years before a stroke restricted his playing and four years before his untimely death. I regret not paying more attention to his music before this, an oversight that I will be trying to rectify. 

    Here's something I didn't expect to find; a performance from the Montreux Jazz Festival, filmed in 1972. As you might expect given the period, the video quality isn't great but the audio is fine. It's an energetic  performance and fascinating to see his multi-instrument technique in action.

     

    Finally, here's a short (27 minute) documentary about his life.

    Friday, May 22, 2026

    Interview with Ray Nayler

    I've become a big fan of SF author Ray Nayler since reading his first novel, The Mountain in the Sea. It's a near-future thriller about first contact with an alien species: octopuses. It's one of the best SF novels I've read in the last few years and a far more polished work than you'd expect for a first novel. 

    Since then I've read several short stories by him and two longer works, the novella, The Tusks of Extinction and a novel, Where the Axe Is Buried. Both are excellent. 

    I haven't been able to find out much about Nayler until recently, when I read a long interview with him published in Andrew Liptak's Transfer Orbit blog. Nayler has an unusual and interesting background and the interview is quite fascinating. 
    When I was going to university, I thought I was going to be a writer. I was then rejected from the creative writing program and went into the straight literature program. The process of trying to get published over the next 10 or 15 years, I think killed any idea that I was going to be able to be a writer as a profession. But that didn't affect my desire to continue to write and publish. So I just got up in the morning and then wrote, then went to to whatever job I had and I never stopped thinking of myself as a writer, but I did stop thinking of it as a career.

    I also saw what writers did in general, that a great number of them taught at universities. I have no interest in doing that. That a lot of people have MFAs, which I had no interest in getting. That they treated writing as a group activity, which I had no interest in. You know, there were there was really very little attraction to the other things around writing that typically constitute what being a professional writer is.

    And so once I became a Foreign Service officer, I had a fascinating job that was really interesting to me, where I got to learn new things every couple of years. And, I was constantly moving from one place to another and learning a lot, and I felt that it was really also feeding my writing very well with new information and new ideas and, and so I thought "well, this is, good. I can continue to just be a Foreign Service officer and write on the side and publish in Asimovs and Clarkesworld and get some nice feedback from my work and talk about the things I'm interested in, but I don't have to worry about making money on it." And so that's been good.
    His new novel, Palaces of the Crow, has just been published. It's a bit different from his other books, being set in World War II, but has a speculative element. 

    Thursday, May 21, 2026

    How To Get Rid of Goog;le's AI Weights File

    If you use Google's Chrome browser under Windows and don't want to use it's AI features, then you should read this

    Google has been downloading a 4 GB file called weights.bin that's used by Gemini Nano, which runs locally on your PC. If you don't want this file, or the AI functionality, you can set up a registry key to block it, then delete the file. Instructions are in the article linked above.

    The file is installed on my PC and I'm leaving it alone as I occasinally use Gemini in Chrome. Still, it would be nice if they told you about it and gave you the choice before using up such a big chunk of your disk. 

    Wednesday, May 20, 2026

    Getting Dark Mode in Acrobat Reader

    Here's a tip for fans of dark mode: how to get white text on a black background in Acrobat Reader. 

    These instructions are for the latest (and highly enshittified) release of Acrobat Reader. 

    1. Click the hamburger menu icon in the upper left.

    2. From the menu,, click Preferences.

    3. In the Categories list, click Accessibility.

    4. Select Replace Document Colors.

    5. Then select Use High-Contrast colors and choose White text on black from the High-contrast color combination list.

    6. Click OK. 

    In step 5, you could select Custom Color and then pick your text and background colours. 

    I'm posting this because I cannot easily read PDFs with black text on a white background. The current release of Acrobat Reader changed whatever settings I had in the past to give me dark mode in PDFs, and it's been driving me crazy for a while now. 

    Some PDFs may not work well with these settings;. for example, tables with shading will be a problem. I will have to experiment more to see if other settings in the Accessibility dialog will help.

    If you know of a (preferably free) PDF reader that works well in dark mode, please leave me a comment.

     

    Tuesday, May 19, 2026

    The Hugo Voter Packet Is a Bargain

    Thanks are due to Elizabeth Bear for reminding me to check out the 2026 Hugo Voter Packet. I wasn't planning on buying a voting membership for the 2026 WorldCon, but including 16 GB of ebooks in the voter packet made me reconsider.

    Included are:

    • Full ebooks of 4 of the 6 finalists for best novel. Unfortunately the one I was most interested in, Adrian Tchaikovsky's SHROUD, is only an excerpt as is A DROP OF CORRUPTION by Robert Jackson Bennett.
    • All of the short fiction finalists.
    • Most of the finalists for best series:, 36 books in total!
    • Many ebooks from finalists for the Lodestar Award, the Astounding Award, and best editor (long form).
    • Most of the finalists for the other awards.

    It's a huge amount of fiction and non-fiction. Most books are in EPUB format, some are PDFs, and some also include audiobooks in MP3 format. 

    It is not cheap ($50 US), but given that it includes several books that I likely would have bought, it's worth it. (Just INVENTING THE RENAISSANCE by Ada Palmer would justify the cost). And there's so much more. It'll keep me reading all summer. 

    And of course, you get to vote for the Hugo Awards. I have a lot of reading to do before the voting deadline of Ausust 8. 

    Monday, May 18, 2026

    A Note About Posting

    I've been thinking about what I want to do with this blog and I'm going to change my posting routine a bit. 

    Going forward, I'm going to stop doing most of the regular link posts like Featured Links and We're Toast. I'll continue the Saturday Sounds posts and probably occasional posts about Canada - US relations.

    I'll continue posting about things that interest me or that I want to record here for future reference, like the next couple of posts that will be up tomorrow and Wednesday. 

    Given that it's summer and I want to spend more time outside, I probably won't be posting as much. 

    Friday, May 15, 2026

    Off for the May 24 Weekend

    Yes, I know May 24th isn't until next weekend, but up here in the Great White North, 24 means something other than the date. Look up what 24 means in Canadian slang. I won't be consuming one (just a few tall boys), but I will be cleaning the BBQ, mowing the lawn, raking over the garden, and staying away from my computer and the news as much as possible.

    I'll be back here sometime next week. In the meantime, here's a tulip from our front yard that somehow survived having two metres of snow dumped on it over the winter.

    A not-quite bloomed orange tulip
    A hardy tulip




    More on Disinformation 9

    It's time for another post about disinformation and misinformation. I could probably do a post a day like this if I had the time and the stomach for it.  

    Wednesday, May 13, 2026

    Featured Links - May 13, 2026

    Things I found interesting but didn't want to do a full blog post about.

    Overlooking the marsh

    Tuesday, May 12, 2026

    What the Heck is Happening in Alberta?

    Over the past couple of months it's become clear that the usual discontent Albertans have with the federal government has morphed into something far more concerning. I lived in Northern Alberta for five years until 1984 and there was no love lost for Ottawa and especially Pierre Trudeau and his National Energy Program. But what is happening now is very different. 

    In this post, I'm going to highlight several recent articles that cover different aspects of the current political scene in Alberta. 

    For a starter there's this lengthy piece (gift link) from the Toronto Star:  "I went home to the heartland of Alberta independence. Even after covering Donald Trump for 10 years, I was still terrified by what I found." by James Maclennan. I included this as it was written by someone who grew up in Alberta and provides a good overview of the current separation campaign. The scary quote:

    We like to imagine we are immune somehow from whatever it is that has torn the American polity apart so violently over the past 10 years, that what is happening there could never happen here. I promise you it can. In Alberta, it already is.

    In this article Dean Blundell provides (in his words). "The Alberta File: How a Foreign-Backed Separatist Cabal Doxxed Three Million Albertans, Lawyered Up Against Treaty Rights, After Being Promised "500 Billion" From The Trump Regime: A definitive, on-the-record accounting of what the hell is happening in Alberta — and why every Canadian, every Treaty signatory, and every NATO ally should be paying attention."

    Yes, he can be a bit long winded, but the article provides more history and context than most of the pieces I've seen in the major media and ties it to influence from the US and wider international disinformation campaigns. 

    What is happening in Alberta in the spring of 2026 is a stress test of Canadian sovereignty conducted, in part, by a foreign power in friendly contact with a domestic separatist movement, lubricated by an algorithmically amplified information environment that pays Dutch YouTubers to tell Albertans separation is inevitable, organized through evangelical and convoy networks with documented histories of contempt for the state, and enabled by a provincial government that rewrote its own constitutional safeguards to accommodate the operation."

    In The Leningrad Hot Dog Maker and the Destruction of Canada Charlie Angus takes a deep dive into the Russian disinformation machine and how it might affect Canada, even if there is no referrundum.

    It won’t matter that the separatists don’t have the votes to succeed. They will drive false claims that the referendum was stolen or encourage a convoy of extremists to set up camp on the Coutts border to call for American help.

    Imagine the hate that will be generated against First Nation people by online bots if the courts shut down the referendum.

    The Donbas playbook is about weakening our nation and creating internal chaos. A full on hate storm is brewing. The Prime Minister needs to take this threat very seriously indeed.

    Finally, Patrick Lennox of The Walrus asks How Did an Alberta Separatist Group Get Its Hands on the Voter List? There will no doubt be court cases arising from this and it will be interesting to see just how high up in the Alberta government they reach.

    That 2.9 million voting-age Albertans have had their personal information circulating in the Maple MAGAsphere poses a massive public safety risk and exposes the October 19 referendum process even further to foreign influence from the global far right. We can safely assume that Alberta’s list of electors has been captured by agents of authoritarian regimes who wish Canada, as the last standing democracy in North America, all sorts of harm, unrest, and collapse.

    The implications of this breach, which is likely the largest in Canadian history, will come into further relief in the coming days and weeks leading up to the referendum the UCP seems hell-bent to bring on.

    That will do for now. I could have easily included sevral more articles, but the ones above paint a pretty detailed, and not pretty, picture of what's going on. 

     


     





    Sunday, May 10, 2026

    Photo of the Week - May 10, 2026

    This week's photo is of some daffodils in our backyard. It's been a late, cool, and wet spring; not the best for flowers, so I'm glad to see these coming up. Taken with my Pixel 8 Pro.

    Four yellow daffodils
    Spring daffodils



    Saturday, May 09, 2026

    Saturday Sounds - Broken Social Scene - Remember the Humans

    This week's musical treat is Remember the Humans,  the latest album from Toronto's Broken Social Scene. I've seen them live four times and posted about them several times, so a new album is an event. 

    The new album is quite long, almost 50 minutes, and contains 12 tracks. The production hearkens back to their classic You Forgot It In People, with multiple overdubbed vocals and wall-of-sound instruments. It'll probably sound best on headphones. 

    They'll be out touring this summer and if they're anywhere near you, go; they're one of the best live bands I've seen. 

    Friday, May 08, 2026

    We're Toast 66

    This post is a collection of links that support my increasingly strong feeling that the human race (or at least our technological civilization) is doomed. 

    People dog sledding in front of the Arc de Triumph in a snow covered Paris
    Springtime in Paris after the AMOC collapses
    • A catastrophic climate event is upon us. Here is why you’ve heard so little about it. "This system – known as the Atlantic meridional overturning circulation (Amoc) – delivers heat from the tropics to the North Atlantic. Recent research suggests that if it shuts down, it could cause both a massive drop in average winter temperatures in northern Europe and drastic changes in the Amazon’s water cycles. This could help tip the rainforest into cascading collapse and trigger further disaster."
    • Key Atlantic Current System Collapse Could Trigger Huge Carbon Dioxide Release, Increasing Global Warming By 0.2 °C. "he Atlantic Ocean has a complex system of currents and eddies known as the Atlantic Meridional Overturning Circulation (AMOC), and includes the famous Gulf Stream, which helps with milder temperatures in Northern Europe. Over the last century, however, the AMOC has been slowing down, and new research highlights just how bad things might get for the planet’s climate if it collapses completely."
    • Climate change is supercharging hurricane rainfall, contributing to deadly floods. "Freshwater flooding has caused over half of all direct hurricane deaths since 2013. The threat will increase as climate change makes hurricanes wetter and potentially slower-moving."
    • The Clock Is Ticking on a Global Tragedy. "It’s not just oil that travels through the Gulf; the region is home to a massive industry that produces the agricultural fertilizer required to keep food production going. The ongoing disruption of this trade has raised the spectre of global famine."
    • SpaceX wants to launch a million satellites. "Here's how that could impact the atmosphere and the night sky. 'These launches affect everyone,' says one astronomer."
    • Palantir Meets the Anti-Christ. "More and more, the Silicon Valley tech bros are revealing themselves as very dark figures indeed. Gone are cookies and surfing, now they are peddling “AI Kill Chains” for tracking and targeting state enemies. Those being tracked don’t have to have guns. They can be troublesome journalists or civilians hiding from mass deportation."
    • Satellites Could Start Smashing into Each Other in Less Than Three Days, Study Finds. "But new research led by Sarah Thiele at Princeton University has found that one of the biggest threats is a solar storm that could cause a cut in communications between satellites and their operators. If the resulting geomagnetic storm did cut comms, the research shows that it could take just 2.8 days before a collision."
    • How climate change threatens the economic backbone of the Pacific. "Warming water temperatures caused by climate change pose a substantial risk to local tuna populations, threatening Kiribati's economic backbone."
    • The Man Who Made America Safer for Measles. "A brief history of how crackpot ego became public-health policy."
    • Major hurricanes in the Northeast are rare. Could climate change make them common? "A Category 4 hurricane making direct landfall on New York City could cause as much as $500 billion in insured damage."
    • How strong can a hurricane get in a warming world? "In the Gulf of Mexico and western Caribbean, hurricanes with 224 mph (100 m/s) winds are possible. Warming the oceans will increase this maximum potential intensity, with potentially devastating effects."
    • Panama’s ocean lifeline vanishes for the first time in 40 years. "For decades, the Gulf of Panama has relied on strong seasonal winds to trigger upwelling, bringing cool, nutrient-packed water to the surface. But in 2025, this dependable event didn’t happen. Researchers point to unusually weak winds as the likely culprit, reducing ocean productivity and warming coastal waters. The surprise disruption highlights how vulnerable these critical systems may be to climate change."



    Wednesday, May 06, 2026

    Featured Links - May 6, 2026

    Links to things I found interesting but didn't want to do a full blog post about.

    Springtime swans

    .

    Sunday, May 03, 2026

    Photo of the Week - May 3, 3036

    This week's photo is taken along the marsh land near the lake. Most of this vegation will come back in the summer but right now it looks pretty bleak. Taken with my Pixel 8 Pro and touched up a bit in Google Photos. 

    Marsh land plants after the winter, looking very dead
    Marsh land plants after the winter

     

    Saturday, May 02, 2026

    Saturday Sounds - The Sheepdogs - Keep Out of the Storm

    This week's musical treat is the new album from The Sheepdogs, one of Canada's better bands. Keep Out of the Storm is a solid rock album that sounds a bit like some classic Southern rock bands, which is a bit odd considering that The Sheepdogs are from Saskatoon, Saskatchewan. No mater; it's a good album. Enjoy.


    Friday, May 01, 2026

    Movie and TV Reviews - April 2026

    Short reviews of movies and TV shows I watched in April. Now that we're watching the Blue Jays, there won't be as much here.

    Movies

    • Anaconda: A remake of the original big snake movie. It has some funny bits but otherwise not much to recommend it. (Crave)
    • The Suspicions of Mr. Whicher: This is a series of four made-for-TV movies originally broadcast by the BBC between 2011 and 2014 and  based on a novel by Kate Summerscale about Jack Whicher, a "private inquiry agent" in Victorian England. They were all quite good with one of the better evocations of that period that I've seen coupled with interesting stories and first-rate acting.  (BritBox and Hoopla)
    • Kingsman: A rewatch. Silly but fun. (Disney+)
    TV Shows
    • Young Sherlock. I wasn't interested in this until I found out that it was directed by Guy Ritchie. It's well made and entertaining. I can't comment on how it fits into the Sherlock Holmes canon. (Amazon Prime)
    • Saint-Pierre (season 2). This is a Canadian-made crime drama set on the French island of Saint Pierre off the south coast of Newfoundland. A light detective drama with some good actors and a slightly exotic setting. The second season is better than the first. (CBD Gem)
    • Cross (season 2): The first season was OK but the the first couple of episodes of the 2nd season left me completely cold. It did get better later on. (Amazon Prime)
    • The Nature of Things: Wild, Wild, Weather. A very good documentary on how climate change is affecting worldwide weather systems.  (CBC Gem)
    • Hope Street (season 5): It's a pleasant enough show but I think it's gone on past its best before date. (BritBox)
    • Reboot (season 1): The classic 1990s animated series is back. By modern standards, the animation, which was pioneering for the time, is primitive, but the show is still quite watchable for both kids and adults. 

    Thursday, April 30, 2026

    The US Versus Canada 14

    It's time for another article abut the ongoing cultural and economic conflct between Canada and the United States. 

    Two tanks protect US soldiers carrying booze into an LCBO store
    How the US will get it's booze back into Canadian liquor stores

  • Expect Donald Trump to try to punish Canada for not bending the knee (gift link). "It’s now clear the Americans aren’t even willing to sit down until Canada coughs up what’s being described as an “entry fee” — unilateral concessions on a range of issues in return for the privilege of getting to the table and facing, no doubt, demands for even more concessions."
  • How much does Trump hate Canada? (gift link) "Five charts help illustrate the U.S. President’s obsession with his northern neighbour."
  • Why Did So Many Canadians Keep Doing Business with Epstein? "The predator’s network reached into this country’s financial, science, and cultural elite."
  • A network of YouTube accounts is promoting U.S. annexation to Albertans, researchers say. It has 40 million views (gift link). "Flagged as a “potential covert influence operation” in a new report, those behind the network are tough to trace."
  •  Mark Carney Officially Put A Bullet In Canada's Relationship With Trump's America. "Mark Carney simply never misses. This morning, he kindly put our relationship with Trump's America in a body bag while reminding us who we are."
  • Can Alberta Protect Its Secession Vote from Trump? "If we’re being honest, probably not."
  • Washington demanding 'entry fee' from Ottawa before trade talks: sources. "Trump administration demanding concessions before formally launching CUSMA talks, sources tell Radio-Canada."