Phish Have Transformed The Sphere

Phish were one of the first bands to play Las Vegas' futuristic venu, The Sphere. Given the band's penchant for theatrical extravaganzas as seen at their New Years concerts, fans expected quite a bit fromt he band's performances there and they weren't disappointed. But with their latest residency there in Apri, they've taken the visual elements offered by The Sphere's technology to a new level, as described in this article from GQ (archive link). 

Most bands have used The Sphere's immense screen to display various images and computerized animations. Phish have done something different and new; they've created a virtual version of their touring lighting rig and expanded it many times over to fill the screen, then added effects that aren't possible with a physical rig. The results are stunning. 

It was late April, the fourth night of a nine-show run at Sphere in Las Vegas, and the band had just begun its second set. As they slid from a thin boogie into an atonal blur, the screen that swallowed them took the sold-audience of about 17,000 on a grisly animated tour of a damaged body—teeth pocked with fillings, a tummy laden with plastic toys, lungs puffing hard. As the camera wormed its way up and out of the body and back to the mouth, a wrecking ball swung toward the teeth, smashing them with three terrifying hits. The image faded. The room went dark. The band kept playing. The crowd erupted.

The screen needed to go black because a fleet of video teams with a squadron of computers and servers at their command needed time to load a system that has forever reinvented the way Sphere can work: a physics-defying virtual model of Phish’s famous light rig, programmed and run by a pair of technicians so legendary in lighting and jam circles that they have been profiled by The New York Times. The system, the most expensive visual element of Phish’s two Sphere residences, allows Chris Kuroda and Andrew Giffin to control 7,080 individual sources of light, all designed to look like they’re part of physical light fixtures flying above the band. Because it is not mechanical, it can move in directions and with a nimbleness that traditional lighting rigs could never match. It can charge the audience like a bull or pull back into a bright vanishing point.

WATCH

I've included some videos of their performance that show off the new capabilities. The first includes the songs mentioned in the above quote.

  

And here's one more that gives a sense of the scale of the venue.

Finally, here's a review of one of the concerts from the April residency. The author isn't a Phish fan but he was impressed by the visuals and has some advice about the best seating locations if you are planning to attend a concert at The Sphere.