I've been a fan of Bruce Hornsby since the late 1980s and have seen him perform a couple of times (once in 1992 with the Grateful Dead and in 1993 with his band). He's released consistently enjoyable music since then and his latest album, Indigo Park, is no exception.
Relix published an in-depth profile of Hornsby and the album recently.
As he is tracking the unexpected origins of “Indigo Park”—the title-track of the new, 10-song studio set he’s scheduled to release on April 3 via Zappo Productions/Thirty Tigers—Hornsby is sitting in a hotel room in Houston, before a solo set at The Heights Theater, and then he’s off to a college town about an hour away. The Virginia-based musician is quick to mention at the top of his Zoom interview that, despite over four decades on the road, he’s never played this particular venue before. And that desire to experience fresh musical situations has continued to guide the pianist through an unexpected latter-career renaissance that’s led to the release of four albums in five years—2019’s Absolute Zero, 2020’s Non-Secure Connection, 2022’s ’Flicted and 2024’s Deep Sea Vents—a prolific second act scoring films and his own version of a Never Ending Tour with his veteran band, the Noisemakers. In that time, he’s also naturally aged into a gracious elder stateman, collaborating with improv-forward favorites like Goose and Eggy on stage and working closely with a new generation of indie-rock icons in the studio.
There are two songs written with the Dead's late lyricist, Robert Hunter, and collaborations with several musicians, including Bonnie Raitt and the late Bob Weir. I've listened to the album a couple of times and like it a lot. If he was coming to Toronto on his current tour, I'd probably be going.


